Thursday night kicked off the improv and sketch portion of the 2012 Dallas Comedy Festival with solid performances from teams that ran the full spectrum of improv styles and formats.
Every troupe was at the top of its game, performing to an energetic and supportive crowd that packed the Dallas Comedy House in Deep Ellum for all three shows. The night featured acts from Dallas/Ft. Worth, Oklahoma City, and Chicago.
I misremembered the start time of the shows and made it into the theater just in time to see all-female short form group Heroine Addiction take the stage. They executed their games with a nice pace that kept me interested and their wordplay was suitably clever. A few sour notes came from a lack of listening, but they covered admirably and had a great time on stage.
MiDolls, a self-described “Old Lady Improv Troupe” from Oklahoma City, took the stage next and passed out candy to the audience members. They based their show at a high school reunion and each character exemplified one of the seven deadly sins. They had some enjoyable moments and clever lines that kept the crowd rolling, but got a little bogged down by their respective sins which kept them from deepening their characters’ dimensions.
[pullquote_left] The closer of the first show was Franzia, a four person monoscene troupe based out of the Dallas Comedy House. Their show at a dentist’s office was stacked with great character choices and ended with a flip that left my mouth wide open.[/pullquote_left]
Due to an illness, the sketch show Call Waiting had to be canceled, so their slot was filled by three tremendous groups with unique styles that had me spitting up in my Deep Ellum Cherry Chocolate Double Brown Stout (which is a local craft beer you need to try).
Gangs of Recess performed an experimental Harold with the finesse of a team that knows each other well. Their organics and group games were some of the best I’ve seen and their connections were top rate. I particularly enjoyed a callback involving a pair of 33 year old brothers put in time out by an overbearing and omniscient father.
Samurai Drunk showcased an aggressive energy and played it to ultimate satisfaction. A situation involving a talking carrier pigeon relaying messages between rival tailgate parties was one of the night’s most inventive scenes.
Commerce Street closed out the second timeslot with a puppet improv show that had me in stitches. I have never seen puppet improv before and heard a great deal about it, but it blew away all my expectations. My favorite scene of the night came from a saucy French puppet wooing a coy man by comparing him to wheat bread.
[pullquote_right]Following the improv rule of heightening, the third show of the night pulled out all the stops and tore the roof off the Dallas Comedy House, proving again that improv wins. [/pullquote_right]
Li’l Mister Dallas kicked things off with a living room opening that set them up nicely to create a fun and connected show.
Oklahoma City’s Twinprov came next with a hip-hop show about physics that, as they promised, blew my mind. They freestyled at a breakneck pace and covered every small detail of the subject matter, leading to an act that was nearly impossible to follow up.
Luckily, they were being followed by The Outfit, a five person group from Chicago that exemplified a tight and punchy show. The Outfit has two members from Dallas who helped start the Dallas Comedy House, so it was partially a homecoming for them and they nailed it.
If Thursday night is any indicator, there is a lot to look forward to for the rest of the festival. Today starts with afternoon workshops (of which I will be taking one) before three more shows starting at 7pm. For more info, visit www.dallascomedyfestival.com and follow @ImprovWins on Twitter for live updates from the audience.